Various Artists - I'd Rather Be In Philadelphia

I'd Rather Be In Philadelphia, released by Burn Potential Records in 1983, is the best compilaion of early-80's Philly-area indie new wave there is. It contains early tracks by Bunnydrums, Pretty Poison, Book of Love, and Executive Slacks, all of whom would go on to greater success. Those familiar with Book of Love's synth-pop records for Sire ("You Make Me Feel So Good", "I Touch Roses") will be interested to hear the stripped-down instrumentation and production of "Henna." Pretty Poison on "Secrets" is not recognizable as the same band who later churned out that ubiquitous 80's hit "Catch Me (I'm Falling)." (See here for their self-released EP Laced.) Also present on this compilation are Philly's own No Wave band, the Stickmen. Articles on No Wave always focus on the New York scene--James Chance, Eight Eyed Spy--but the Stickmen could skronk with the best of them, and faster, too. (Wayside Music has released a CD of all the Stickmen's recorded output.) The full track list is:

01 Bunnydrums - Sleeping
02 Pretty Poison - Secrets
03 Sensory Fix - Last Match
04 Impossible Years - Flower Girl
05 Mother May I - When Children Play
06 Book of Love - Henna
07 Red Buckets - Something Else Again
07 Stickmen - Duraflame Dog
09 Girls Downstairs - Steam Rises Off the Jungle Floor
10 Executive Slacks - Sexual Witchcraft

A note on the recordings: this has to be the worst pressing I have ever heard. Usually I don't do wholesale click removal for fear of losing actual music; I just do spot removals of egregious clicks and pops. But this record has a substrate of clicks and pops all the way through; the record itself has tiny bumps all over it. So in this case I did run the whole thing through Audacity's click remover, and it sounds much better, but still far from perfect. I'd be interested to hear from anyone else who has this album whether theirs is as noisy as mine. Don't let the pops and clicks keep you from checking out this trove of rare regional new wave, though: get the vinyl rip here or here. Update 2/11/2012: My DF link is still up, but there's a better rip available at Systems of Romance.

Mothmen - One Black Dot

The Mothmen's first album, Pay Attention, was a trippy dub affair which was released by Adrian Sherwood on his On-U Sound label in 1981. While the band produced the album themselves with no input from Sherwood, it's a dead ringer for Sherwood's own psychedelic dub style. That sound is nowhere in evidence on the band's second album, One Black Dot, released in 1982 on the Do It label. Their style this time around is more conventional, new wave-y with a bit of postpunk funk thrown in. There are hints of other bands throughout the album: the Police, Way of the West, Funkapolitan, The Blue Nile, Modern English, and Medium Medium, for examples. There are many inspired instrumental moments, and it's quite a good album over its ten tracks, but the sound never quite congeals into something distinctive, and there is no killer single (though "Temptation" comes close). The band lineup on One Black Dot is:

• Bob Harding: vocals
• Tony Bowers: guitar & sax
• Charlie Griffiths: synth
• Ronnie Hardman: bass
• Chris Joyce: drums

Bowers and Joyce would go on to be part of the original Simply Red lineup. The rest of the Mothmen, I don't know about. Get the One Black Dot vinyl rip here or here.

Perennial Divide - Beehead EP

How about some more Perennial Divide? 1987 saw them release just one record, the four-track Beehead EP:

1. Beehead
2. World Spread
3. Gentle As A Fawn Is Warm
4. Clamp

"Clamp" is a 40-second sound collage, so Beehead is essentially a three-song EP. But they're good songs, especially "World Spread," which after an excessively long intro settles into an energetic breakbeat groove with a popping bassline. The other two songs are the same kind of noisy, off-kilter funk that made Purge so great. Get the vinyl rip here or here. That does it for my Perennial Divide collection. There was another 12", "Burndown", in 1986, which was packaged together with a repressing of Purge; I didn't buy that one, as I already had Purge and didn't want to buy a second copy just to get a new 12". Then in 1988 there was an unofficial release of "Leathernecks," but I never found a copy. If you come across rips of either 12", please let me know in the comments.

Perennial Divide - Purge

By request, here is the only album released by Perennial Divide, the Swindon-based group active from 1986 to 1988 and consisting of John Corrigan, Johnny Stephens and Paul Freeguard. ("Perennial Divide" comes from Naked Lunch; it is Burroughs's play on the term "perineal divide," i.e. the "taint." But in the band's case it takes on additional sociopolitical meaning, evoking Britain's historical class system and the struggles of the working class for equality.) Corrigan and Stephens went on to form Meat Beat Manifesto, with Corrigan adopting the pseudonym Jack Dangers. Released in 1986, Purge was another exciting release from Rob Deacon's Sweatbox label, which grew out of his Abstract magazine and LP series. The cover art (of Swindon railway works) recalls Neville Brody's early sleeves for ClockDVA stylistically, and Perennial Divide's music explores the same realm of politically-charged noise-funk as that seminal band, though with more funk and less noise. There are some tasty basslines on this album, particularly in "Captain Swing." Purge is a bona fide postpunk masterpiece. The tracks are:

01 Blow
02 Parricide
03 Word of the Lord
04 Captain Swing
05 Rescue
06 The Fall
07 Trip
08 Tuna Hell
09 Burning Dogs
10 End of the Line

Some of the tracks run together, and I've made my best guess as to where one ends and the next begins. It won't make any difference if you listen to all the tracks in order (which you should!). Get the vinyl rip here or here.

Material - Live In Japan

When is a Material album not a Material album? Or rather, when is a Material album a Material album? Bill Laswell has produced lots of albums featuring the same rotating stable of musicians that are sometimes called Material, but most of them have given top billing to featured artists or sported other band names: Ginger Baker, Nicky Skopelitis, Aiyb Dieng, Bill Laswell, Deadline, Sacred System, etc. Live In Japan could just as well have been credited to Foday Musa Suso or Ginger Baker. But it has the Material moniker, the only album of original material (as it were) released during the brief association with the Restless label. The recordings on Live In Japan are taken from performances in Tokyo, Kyoto, and Imabari in August 1992 with the following lineup:

• Foday Musa Suso: kora, dousongonni, guitar, percussion, vocal
• Bill Laswell: bass
• Bernie Worrell: piano, Hammond organ, Clavinet, synthesizer
• Nicky Skopelitis: 6 & 12 string guitars
• Aiyb Dieng: chatan, congas, talking drum, percussion
• Ginger Baker: drums

The All Music Guide doesn't think much of this one:

It's a great lineup, and one that should have delivered much more musical interest than it does on this album. "Leaving Earth" is a six-and-a-half minute meditation on a one-chord riff; more than just boring, it's also badly recorded. "Desert Star" is an improvement, with a nice interplay of fretless bass and a bowed African instrument in a much improved mix. And "Out of Dreamtime" affords more dynamic variety, but it leads into an eleven-minute percussion solo which is well executed but drags on forever. Overall, this is a disappointing disc that could and should have been much better.

Hey, if you like good drumming, a long, well-executed percussion solo is fantastic! And something that gets lost in the plethora of Laswell productions is that he is an awesome bass player, but that aspect comes through throughout this album. And it's a generous 69 minutes long. What's not to like? Track list:

01-Invocation.mp3
02-Leaving Earth.mp3
03-Desert Star.mp3
04-Out of the Dreamtime.mp3
05-Obsessed.mp3
06-Into the Seventh House.mp3
07-Dousongonni Song.mp3
08-The Receiver.mp3
09-The Creator Has a Master Plan.mp3
10-The Image of the One.mp3

I don't know where most of these songs originated, just that the last two are originally by Pharaoh Sanders. Anyone know? Let me know in the comments. Get the CD rip here or here.

Ballistic Kisses - Wet Moment

New York-based Ballistic Kisses released two albums: Total Access in 1982 (available at Mutant Sounds), and Wet Moment in 1983, both on the quirkily-named UK label Don't Fall Off The Mountain. Trouser Press doesn't think much of this one:

Wet Moment is a tedious cross between the B-52's and Gang of Four: minimal melodies, propulsive rhythms and bleak vocals. It's easy to believe freaked-out tunes like "Emotional Ice" and "Everything Leaks," but how alienated do you really want to feel?

But it's really better than that. True, there are not many melodies to speak of, and no real hooks to linger in your mind, but if you just like the sound of 80s minimal synthpop then there's plenty here to enjoy. There's so much, in fact, that it wouldn't all fit on a single record: the 54 minutes of music was spread out over a 33rpm 8-song LP and a 45rpm 3-song 12". The band lineup is:

• Michael Hrynyk: keyboards, vocals
• Richard McClusky: percussions, vocals
• Michael Parker: vocals
• Jeff Freund: guitars, vocals

There's some pretty cool bass guitar on several of the songs, too, which I presume is one of the "guitars" credited to Jeff Freund. Get the Wet Moment vinyl rip here or here.

Blue Zoo - Two By Two

Four-man UK band Blue Zoo released just one album, Two By Two (1983), produced by Talk Talk's Tim Friese-Greene. It led off with their sole hit single, 1982's "Cry Boy Cry," which peaked at number 13 on the UK chart. It's a great single, too, with a driving rhythm perfectly suited to, say, sports highlights clips, and features the powerful backing vocals of Stevie Lange in the chorus. (Stevie Lange also provided the chorus vocals to Gang Of Four's "I Love A Man In Uniform," and was the lead singer of Night, who were one of the bands featured in the campy Vincent Price horror film The Monster Club.) The other four uptempo tracks (which I will denote with an asterisk in the track listing) on Two By Two are nearly as engaging, impelled forward by a sequenced instrument that sounds like something between a hammer dulcimer and a glockenspiel; perhaps that is the Celeste 8 credited to Matt Flowers? The rest of the album consists of slower ballads, which are generally pleasant and have a few hooks but mostly have trouble coming to life. The full track list is:

1. Cry Boy Cry*
2. John's Lost
3. Far Cry*
4. (You Can) Count On Me*
5. Love Moves In Strange Ways
6. (I Just Can't) Forgive and Forget*
7. I'm Your Man*
8. Open Up
9. Can't Hold Me Down*
10. Something Familiar

Get the vinyl rip here or here.